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Appassionata
Year of production
1991
Year of creation
1990
The passionate rapports we have with one another, their consistencies and inconsistencies expressed during three fleeing fugues, determine the rhythm and dramatic intensity.
“The passionate rapports we have with one another, their consistencies and inconsistencies expressed during three fleeing fugues, determine the rhythm and dramatic intensity. The shape of the music and stage design, the range of relationships to the action, reinforce this intent. The multipolarity of the action, temporality opening as a chasm, the continuity and dynamism of the choreographic composition, are all morphological elements which can give this show a baroque form, if one considers “the baroque as an aesthetic constant”.
Source: Hervé Robbe
Choreography
Film Director
Collection
Year of production
1991
Year of creation
1990
Lights
Yves Godin
Music
Quatuor n°13 de Beethoven, Quatuor n°1 de Ligeti, John Cage, Kasper T. Toeplitz
Performance
Emmanuelle Huynh, Alvaro Morell, Antoine Raulin
Scene setting
Hervé Robbe
Sound
Tapage Atypique
Production of choreographic work
Coproduction Le Centre National de Danse Contemporaine d’Angers, le Théâtre Contemporain de la Danse – Paris (en collaboration avec le Théâtre de la Bastille), la compagnie Le Marietta Secret
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