ORGANIZING DEMONS

“Organizing Demons is a kind of study in the artistic sense of the word and fascinating to watch.” – Gérard Mayen, Mouvement

“Refreshing, soothing, stimulating, Emanuel Gat’s art cultivates the pleasure of dancing by combining fluid, elegant, musical lines with points. Embroidery points, which humanize the beauty of his work with their tiny enigmas. For him, dance is innate. “My style? It’s the dance I do! I am very influenced by classical or neoclassical dance, even though I don’t have the basics, perhaps it comes from the music.” Organizing Demons is a piece that is at once refined and robust, sensual and daring.” – Pierre Aimar, Sortir ici et ailleurs

“Running, walking, sliding, changing rhythms and directions, the dancers move between fast and slow movements, always together, with the same energy, yet each in their own way. A multi-level choreography, therefore, depending on whether one focuses on the strength of the group or the fragility of each performer’s individuality.” – Frequence-Sud

“With a musical education that is often lacking among his peers, Emanuel Gat took advantage of this to take the plunge and compose the soundtracks that accompany his choreographies himself. His composition, with its tense atmosphere, is full of contrasts, but not always equally successful. The Wagnerian inclusions taken from Tristan und Isolde, stretched out into long, haunting laments, carry choreographic fragments of great beauty. The gestures are relevant, and harmony emanates from them. However, nothing seems artificial, unnecessary, or vain. Beginning with magnificent ebbs and flows that carry the six dancers from one side of the stage to the other, the choreography appears above all to be accurate, eloquent, unquestionably obvious, generous, complex, sensual, and rigorous. A pleasure for the eyes as much as for the mind. ” – PerformArts

Source: emanuelgatdance.com