EEEXEEECUUUUTIOOOOONS !!!

La Ribot offers here a piece about work and productivity, about how this choreographic work may insert itself in the chain of production. By putting into place a collaborative method, we are led to question the articulation between the individual as a subjective body and machinery, be it choreographic, industrial or social.

How do dancers, workers of the stage, elements of an economy based on the exchange of physical goods (bodily strength and merchandise), integrate the context of immaterial production?

For this creation she has continued her research in laughter, as with her preceding pieces (40 espontáneos in 2004, and Laughing Hole 2006).